stories can bring out the charm of characters and complement each other. That is to say, audiences of course watch these kinds of movies only because they like action pictures, but the appearance of action pictures must be meaningful and used to set off characters or plots. Otherwise, go to the National Geographic Channel's video about bombs, and you can see the detonation scene from beginning to end. But that would be no fun. Simply play the action picture to the extreme, and the characters and plot are weak (B-level film routine), and it may become a classic. Mad Max is an example. It is a work that uses flying motions, stunts and live-action special effects to the extreme, and the picture itself is very artistic. As far as the nature of the "Fate of the
Dead" series is concerned, it is also based on the plot of a B-level film, with a group of actors with a sense of drama (half of them became stars later), and then cooperated with the action design mainly based on drag racing, all aspects. None were of the highest standard, but all stood out and succeeded. The "Fate of the Dead" series succeeds in three things: the sms services characters, the action, and the smell. The first two points are the benchmarks of action movie success, and the smell is more subtle. In a typical action movie in the past, "smell" would be viewed together with the character's mood, appearance, and narrative style. For example, in a police and bandit movie, the sunglasses worn by the criminal policeman and the angle of the cigarette are related to the smell. The reason Quentin
Tarantino became famous is that he can skillfully mix and match the movie elements of B-movies, form the smell of the movie, and form a personal style story. The reason why "Fate of the Dead" can surpass other action films, and each sequel has achieved greater success, is the success of smell. Since the 1970s in the United States, there have been many movies about speeding car chases. But there are not many films that make a fuss about the matter of "drag racing". Drag racing itself is anti-system, but it does not have the "criminal intensity" of traditional police and gangster films. Drag racing is closer to the life of the audience than the criminal speed chase. It is difficult for